Attitudes - The West in American Art

500 W. Washington St., Indianapolis, IN 46204



November 10

Visitors to the Eiteljorg Museum will experience beautiful and provocative art works when the museum’s renovated Western art galleries open to the public. In the redesigned galleries will be the new exhibition Attitudes: The West in American Art featuring iconic paintings and sculptures from the museum’s renowned Western collection as well as newly acquired art works and new interactives.

Over the summer, two connected Western galleries on the Eiteljorg Museum’s ground floor that were built in 1989 — the Art of the West Gallery and the Gund Gallery — were extensively renovated to make the best use of the space and lighting and present fresh and engaging interpretations of the art, including portraits, landscapes and bronzes. The Attitudes exhibit puts the Western art works into their historical and cultural contexts, and places them within the broader framework of American art. It shows, for example, how Western art is not an isolated offshoot, but instead is deeply rooted within America’s larger artistic traditions and movements.

Some stunning artworks shown at the Eiteljorg in years past that are visitor favorites will return in the new galleries, including iconic paintings by Georgia O’Keeffe, Frederic Remington, Albert Bierstadt, Oscar Berninghaus and Charles Russell and sculptures by Remington, George Carlson and Allan Houser. Through grants, many of the works have been conserved and reframed, allowing the museum to show them as the artists intended.

Also included in the Attitudes exhibit are some exciting recent Eiteljorg acquisitions that underscore the diversity of artists in the West:

  • Castle Geyser, Yellowstone, a dramatic landscape by a 19th century African-American painter, Grafton Tyler Brown;
  • The Golden Mountain: Arriving San Francisco, 1865, a moving historical scene by contemporary Chinese-American painter Mian Situ;
  • The Twins, a pottery piece by Native American artist Susan Folwell (Santa Clara Pueblo). Folwell’s piece is a contemporary interpretation of a famous early 20th century portrait already in the Eiteljorg, The Twins by E. Martin Hennings. The painting and pottery piece are installed near each other so visitors can compare the two.

The diversity of peoples who shaped the West also is explored through a high-tech interactive that interprets the 20th century mural painting The Americanization of California by Dean Cornwell. Using a computer touchscreen, visitors can call up information about each of the dozens of diverse figures depicted in the Cornwell mural and consider the myths portrayed versus the realities of life in the West. And, intermingled in the gallery alongside works by European-American artists that depicted Native Americans are artworks by Native artists themselves, conveying their own perspectives.

Enlivening the Attitudes: The West in American Art exhibit is a mix of high- and low-tech interactives that will appeal to all ages. In the galleries’ studio space, visitors can learn and appreciate the elements of art, such as line, color, form and texture, with touchable displays and art activities suitable for families and children.

The reinstalled galleries include beautiful art works from the collections of Harrison Eiteljorg, George Gund, Kenneth S. “Bud” Adams and other collectors that were gifted to the museum over the years.

Reinstallation of the Eiteljorg’s Western galleries was several years in the planning and months in execution. Overseeing the project and exhibition are James H. Nottage, who recently retired as the Eiteljorg’s vice president and chief curatorial officer and Gund curator of Western art, and Johanna M. Blume, associate curator of Western art, history and culture.

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